![]() Simpson’s artworks are concurrently on view at Mass MoCA, The Trustees, and ICA Boston. Co-hosted by Mass MoCA with The Trustees of Reservations. Participants will discuss the curatorial decisions, processes and collaborative experiences behind each of Simpson's projections from ideation to execution. Simpson's artwork at multiple New England venues, this roundtable brings together curators who have brought the artist's sculpture to the region. What: Marking the presentation of Rose B. Tickets: $27, advance $37, week of $57, preferred. New York indie rock band Lightning Bug warms things up. Her new album, "Sometimes, Forever" is her first produced by Oneohtrix Point Never’s Daniel Lopatin. Soccer Mommy, makes pop-inflected indie rock. Soccer Mommy, performs at Mass MoCA, 8 p.m., Nov. Tickets: $18, advance and student $28, day of $48, preferred seating. Screening followed by a Q&A and performance with Muñoz. What: The documentary, "Mija," chronicles the emotional and complex stories of Doris Anahi Muñoz and Jacks Haupt, the daughters of undocumented immigrants from Mexico, navigating their careers in the music industry. Learn more about each artist cohort on the Assets for Artists website, .Īdmission: Free "Mija": Screening with Q&A and Performance What: Visit with Assets for Artists’ current artists-in-residence at The Studios at Mass MoCA. Where: The Studios at Mass MoCA in Buildings 13 and 34 What: Writer, choreographer, and director Jack Ferver premieres their first full-length work in three years, "Is Global Warming Camp? and other forms of theatrical distance for the end of the world." Inhabiting “the queer” - what they describe as someone who is told by society that their life isn’t natural and doesn’t exist, and therefore is supernatural and has chosen not to exist - Ferver weaponizes this vantage point to view and hold our overwhelming global failures with cold journalism to shaky intimacy. Where: Stage of "A Memorial to Ice at the Dead Deer Disco" EVENTS Jack Ferver: "Is Global Warming Camp? and other forms of theatrical distance for the end of the world" The exhibition brings together a group of Moran’s works on paper and two sculptures from his "STAGED" series - one of which has been commissioned by the museum for this exhibition. Wilson Building 6 delves into his interest in the embodied experience of live music, and in the residues and memories that music-making leaves behind. Moran’s exhibition, "Black Stars: Writing in the Dark," on view in MASS MoCA's Robert W. What: Visual artist, composer, and musician Jason Moran has said of his artworks, “These pieces emerge from my performance practice, my body in relationship to the piano and to bodies in the audience.” For Hill, roller coasters are public monuments to the possibility of attaining joy - which, as he notes, is “a critical component of social equity.” "Jason Moran: Black Stars: Writing in the Dark" In the United States, amusement parks were contested sites throughout Jim Crow-era desegregation efforts for equitable access to pleasure, leisure and recreation. ![]() Hill’s practice focuses on experiences that intermingle public struggle, endurance, trauma, and joy, whether within athletics, religion, the American education system or amusement parks. Filling Building 5's 100-yard-long gallery, the exhibit also includes paintings, a stage for performances, and freestanding sculptures inspired by the form and function of roller coasters. What: At the heart of "Brake Run Helix" is a rideable sculptural roller coaster. Sign up SEASON AT A GLANCE EXHIBITIONS "EJ Hill: Brake Run Helix"
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